Showing posts with label Netflix. Show all posts
Showing posts with label Netflix. Show all posts

17 August 2018

V reviews - Fate/Extra Last Encore: Anime in hard mode

There used to be a time where I was wildly excited about a new anime from the Fate franchise coming to TV or theaters. Oh how times have changed.

When it was announced that the adaptation of the Fate Extra game (Last Encore) would be available on Netflix, I couldn't utter more than a sarcastic "yeey". It didn't really help that when I recently looked up the score on MyAnimelist, I saw a mediocre 6.5/10. Not to mention the game this anime was based upon has a metacritic score of 58%. The most interesting thing this anime adaptation has going for it, is that it is animated by Studio Shaft. This meant that if the anime would be bad, I could at least partake in the "Studio Shaft tropes Drinking Game".

So let's say I wasn't really looking forward to watching it.

But after watching it, I've changed my mind completely. This is a really interesting piece of entertainment! But I also understand why so many people hate it, since it's clearly not aimed at a general audience. So here is my review for the first season of 10 episodes, available on Netflix since June 30th 2018.

A review of: Fate/Extra Last Encore - Anime in hard mode

A word of advice: This anime is clearly not for everyone

Now that I've watched (and rewatched) the first batch of 10 episodes, I can clearly say: there are some prerequisites before you can watch this series.

  • You should have watched at least one decent Fate anime series before watching this. This includes Fate Zero, Unlimited Blade Works (TV) or the original Fate Stay Night (which sadly enough is still the best introduction to the franchise). For easy digesting, Unlimited Blade Works is also available on Netflix, the rest depends on regional licensing.
  • You should've watched at least TWO Shaft anime, in order to get a feel of their style of animation and storytelling. Preferably I'd recommend a Monogatari series and one of their anime with a deconstruction-style narrative. Madoka Magica for example is of the same creative team and has recently been added to Netflix here in Europe (so are Bakemonogatari and Nisemonogatari).

If you have NOT experienced the above, I will say truthfully to you: You will NOT enjoy this new Fate anime. You'll just bulge your eyes out wondering what the hell you just watched.

Also, if you're a Fate fanboy who has never watched Shaft anime (or do not like their style), this might be worthy of the "skip" button. Shaft is kind of special by itself, and this game has been reinterpreted to fit a storytelling style akin to Madoka Magica.

The first episode is just awful

A lot of people who have started with this anime have dropped the series after the first episode. And I completely understand if you did as well. With the hundreds of anime coming out each year (let alone other non-anime tv-series), people have a lower attention span and a trigger finger to drop anime on the fly that doesn't meet their interest.

And yes, the first time I watched it I also had a WTF-look all over my face. The animation is off at several points, the story doesn't make a lick of sense and the editing is all over the place. For a first viewing attempt, this episode can only be experienced as "AWFUL".


Hey, we know this scene is really awful...
So let us distract you with this weirdly animated background!

The first episode - why it's awful

This anime story doesn't bother to take your hand to explain the story. Instead of storytelling, the anime instead focuses on "showing things that are happening" and have our protagonist wander between these "things that happen".

The story concept is explained in class - a person is murdered because he lost a chess match (okaaaaaay), the body is moved to the nursery (WHY?), since there are too many bodies there, the oldest dead body is moved to the trash heap (again, WHY?). Once the body is dumped, our protagonist gets a talk about why he's the chosen one (because of course). Then suddenly a purge is happening and our protagonist is seemingly killed by Shinji... Because of course Shinji is an asshole.


I am shocked at Shinji backst... frontstabbing his friends [/sarcasm]

And all the while our protagonist has no real clue what's going on, is moving around in typical Shaft environments (huge, very artistic, very detailed, but ultimately very empty looking) while contemplating on how he hates everything with that typical dull surprise on his face. No wonder people have labeled him as an Absolute potato of a man. Jeezes, how dull can you look?


You certainly look very hateful [/sarcasm]

And at the end of this trainwreck ride, you're greeted by this anime's variant of Saber. Similarly to how every Pokémon generation has its Pikachu clone, each Fate franchise has its clone of the original Saber. This one is thus: "Red Saber", also nicknamed "Umu Saber" (after her catchphrase) or "Waifu Saber". But more on her later. Her charming face is what has to push viewers past this "abomination" of a first episode and into better territories.

... and that can be taken quite literally, because one of the first scenes in the second episode is a nude scene between protagonist and our waifu Saber. Why? Because the Shaft drinking game clearly needs more victims.

The first episode - Redeeming qualities?

However, after revisiting the first episode for this review, a lot more things fall into place. It certainly doesn't redeem this first episode (it's still awful), but there were a lot off of: "Oh, that's what they meant" moments when revisiting. Case in point, I suddenly noticed that the plot is totally spoiled in the very first and very last scene of the first episode, but never noticed until I rewatched it.

You also start paying more attention to the "glitchiness" of this world and pay attention to the explanation that this world really is broken and that our hero isn't the chosen one... he's just an anomaly. The chosen one was somebody else who died in the opening scene... Although "Chosen One" and "Anomaly" basically are the same thing.

Turning a dungeon crawling game into an existential crisis

I think it's safe to say that this anime is only a "loose" adaptation of the video game. And while the die-hard fans of this game have found this a sacrilege, the rest didn't really mind it... because the game is mediocre at best. They also had to adapt the game mechanics of 128 masters in a dungeon fighting dungeon masters to raise up to another floor and... and god, it already feels boring just writing it.

So the director and writer have taken everybody on a loop with this adaptation, including the original voice actors. Only slowly have they are revealing their hand. And the end result is a weird trip to be honest.

While the basic principle of "128 masters fighting and beating floor masters to get to the top floor" is kept, everything else is changed. This is no longer a generic hack and slash game... it's an existential crisis, time and time again. And every floor has a different way of expressing that crisis.

Shinji is living in a fantasy world (in more than one way). Another master is actively wondering why he can never ascend to another floor, even if he keeps killing new challengers. Another master is no more than a monster. 2 other masters create constant AI clones of themselves to duke it out in an infinite number of possibilities. And so one and so on. Time and time again you get the feeling that this simulated world is broken beyond repair and we're the last survivors trying to crawl our way out of this wreckage.

Let's talk about: Waifu Saber

Sakura Tange (Red Saber's voice actress) noted in a panel that Red Saber acted a lot more cute in this anime than the more boyish Red Saber from the game. And she wasn't the only one who noticed. There's a reason why the nickname "Waifu Saber" was pasted on this character. This Saber acts a lot more cute, dresses weirdly (watch what remains when she takes her red coat off) and the Shaft tropes have been applied to her. Yes, this means the typical gratuitous (semi-)nudity scenes and scenes that arouse everybody except the people in the scene itself.


Yes, there is a figurine of this "ribbon Saber". Why do you ask?

Do I personally mind? The gratuitous nudity: yes (not a fan); her change in character: no, not that much.

I haven't played the game, so I don't know how she was "supposed to be". And honestly, I've seen worse in other Fate series (*cough*Apocrypha*cough*). However, what I did notice during my trip to Japan last May, was that she was being heavily marketed as a waifu character.

Every store I visited had (next to the tons of One Piece merch) one shelf reserved for Fate, and the red dress of this Saber catches your eye immediately. More than any other character from the franchise (which is saying something), Red Saber had the most figurines, and the cutest looking ones. And yes, there were a LOT of them. Now that I've seen the series, I kind of regret not taking pictures of the tons of figurines.

Personal opinion

So now that I've done all my ranting, what do I think of this series? I find it an interesting watch and even worth rewatching over time. During my second viewing for this review, I've noticed lots of details and moments I didn't pick up the firs time around. And that makes me think that there is a lot to analyze about his series as a whole (if you take the time for it and are able to stand cringe moments).

Though I will admit that the series does cross the thin red line between an interesting art piece and a pretentious piece of sh!t from time to time. When? I'll let you figure that out.

But overall it certainly gets a careful recommendation from me. I give this anime a 7/10. Worth your time, IF you take into account the prerequisites and the awful first episode.

If all else fails: The Shaft tropes drinking game

This series not to your liking? You can still partake in the Shaft tropes drinking game. Very lethal, but more fun than whatever you're watching.

A character doing a head tilt: take a shot. Gratuitous nudity shot: Take a shot. Overly complex room that looks way too large and utterly empty: take a shot. And so on and so on. For the full list, check TV-tropes.

While the term "drinking game" is said in an ironic fashion (seriously, don't do it for real. It's lethal); it makes for a fun viewing experience to count how many times you should have taken that shot. And boy... that counter went up a LOT.

In a way of closing off, here's a few examples.
But until next time, V out.

PS: No, it won't take two months until my next blog post... I promise.


nudity, big empty rooms, head tilts, etc. Fill that bingo card!

2 July 2018

Netflix, anime and me: a follow-up

First: about me

*Looks at his last few posts and sighs*. Yeah, that whole "going youtube-thing" isn't going to work out, eh? Let's face it: Doing youtube videos for a perfectionist like me (who can't ad-lib) was way too much work, while I have way too little time to properly edit all the footage I have. And unlike your average youtube editor, I can't afford to stay awake until 4 in the morning; I still have a day job.

And since I can't do ad-libs properly (I go off-topic and start rambling waaaay too often), I had to write the script beforehand completely. The moment I came to the conclusion that I was writing the entire script like I would write my blog posts, I caved in. This had no point, other than exhausting me.

So I took a break for some retrospective thoughts. In the meantime I've been writing a Dutch blog (about my travels in Japan). But since the last post is planned to be released in the next week, I wanted to shift my focus on anime again.

But I want to change my writing according to my current viewing habits and not the other way around (which was a mistake I have made in the past). And my viewing habit has become that of a casual anime fan: watching one or two of the current seasonal anime, but then watch whatever pops up on Netflix.

Let's face it: Crunchyroll may have the biggest selection of anime, most people watching it are the seasonal anime fans. And those viewers aren't blog readers (there are some, but they're a minority). People that visit this blog (or most anime blogs for that matter) are those who are looking for reviews of an entire series that just popped up on their radar (e.g. via Netflix, Amazon Prime, Hulu, etc). They read whether or not it's good and start binge-watching.

Long story short: The plan is that I'm going to be writing reviews for anime on Netflix.

Anime on Netflix - the follow-up

Since I'm talking about Netflix, let's first do a follow-up post on my post of last August about anime on Netflix; just to see what has happened and what has changed ever since.

For the original post, check this link: https://thevproject.blogspot.com/2017/08/a-talk-about-anime-netflix-funimation.html

What has been released since my post in 2017:

  • Little Witch Academia: Both (short) movies and both seasons have been released. The only thing missing is Netflix linking them all together chronologically for convenient watching experience (seriously, Netflix. Get to it!)
  • Fate / Apocrypha: Season 1 was added this past winter, season 2 was added March 31st and is thus complete.
  • Devilman Crybaby: Has been added January 5th 2018 and was one of the most talked about series of the past winter season.
  • Kakegurui: I have no idea why this anime took SO long. But it's been added since February 1st. Oh, and the live action adaptation followed soon after.
  • ID-0: I always thought this was an Amazon exclusive. I now realize it was a Netflix exclusive... it's a bad series, but it's been added.
  • Godzilla Monster Planet: Has been added January 17th. The second movie will be added from July 18th! There will be more Godzilla animated movies released in the coming years and they will all come to Netflix after their respective theater run has completed.
  • B the Beginning: Season 1 has been added March 2nd, season 2 has been announced for later this year.
  • A.I.C.O. Incarnation: Has been released, March 9th 2018
  • Children of the whale: Sneaked its way in below the radar, but yes: it's on Netflix since March 13th 2018.
  • Sword Gai: Yup, it's been added since March 23rd. Season 2 will be added at the end of July
  • Violet Evergarden: First anime to be released on a weekly basis in the west (except in the US, who got everything afterwards in one go, on April 5th).
  • Aggretsuko: Released April 20th. This is without a doubt the best anime of spring 2018! - Update: Confirmed on July 6th: Will receive a second season in 2019!
  • Mob Psycho 100: Oh how big the disappointment was when we noticed it was the Live-action adaptation instead of the anime.
  • The disastrous life of Saiki K Season 2 (first half): Added June 26th. The first season was added to the catalog only this spring, so I was pretty amazed we got the second season so soon afterwards... until I saw we got only half of it (booh!).
  • Fate/EXTRA Last Encore: Most recent addition: June 30th. Season 2 to be added later on.

Other series have been added where I live, but I noticed that's more due to local licenses from MangaUK (like One Punch Man & Saiki K) and French licensing, rather than being "Netflix originals" or netflix-sponsored shows.

One lucky shift is that more recently Netflix seems to be bothering more with Dutch subtitles, because only a few months ago half of the anime titles available on Netflix only had French subs/audio alongside the Japanese audio (which is really frustrating as a fan). Thank god, that has changed with the more recent additions.

To be released in 2018, from July onward:

Sources: ANN, Netflix itself, the official Netflix Youtube Channel and AnimeUKNews.net

Title About Release date
Godzilla: City on the Edge of Battle 2nd of the 3 Godzilla movies. Third one is released in theaters in October '18. So Netflix release will be somewhere in spring of 2019. July 5th
Sword Guy (season 2) Not the best of anime, but be "excited" for the second half this month! July 30th
Flavors of Youth (Shikioriori) A cooperation between ComicWave Films (the studio behind most Makoto Shinkai movies) and the Chinese Haoliners Animation League comes a collection of three shorts, woven together into a movie format. Hence the name Shikioriori or Poem of Seasons Woven Together. August 4th (worldwide)
Last Hope (Jūshinki Pandora) Total dud (around 5,5/10 on MAL), but we're getting this anyway. September 14 (first half), December 21 (second half)
Dragon Pilot: Hisone and Masotan Studio Bones anime that aired in Japan this Spring season. September 21
The disastrous life of Saiki K Season 2 (2nd half) Not a Netflix-exclusive, but we're finally caught up now September 21
Gundam Unicorn Never expected a Gundam series to hit Netflix here, but it was added alongside Saiki S2. September 21
Piano Forest TV (dubbed as Forest of Piano) A new adaptation of this manga, this time a tv-series instead of a movie. Aired in Japan this spring season. September 28, 2018 (first season), 2019 (second season)
Lost Song Aired this spring in Japan. Slightly postponed from September to October 5th October 5th 2018
Seven Deadly Sins: Revival of The Commandments Edit: Netflix has corrected its season 2 as "Signs of the Holy War", so when the the ACTUAL season 2 comes around, you will know. Japan has had the 24-episode run past Spring. To be seen if we get all 24 episodes in one go, though. October 15
Castlevania (Season 2) Yeah-yeah-yeah, not an anime. F**k it, it fits in this list! Also, third season is also greenlit for 2019! October 26th
Fate/EXTRA Last Encore: Illustrias Geocentric Theory We finally got a release date for the "second season" of Fate Extra... The full 3 episodes October 30
Ingress the Animation You remember that other game from Niantic (the one that is NOT Pokémon go)? It's getting an anime adaptation in October for some weird reason.
Update: Delayed with (at least) a month.
October 2018 (Japan), November 23(worldwide)
Baki My It's going to be a 2-cours run (26 episodes) and it will start airing this summer (Japan first release). Rest of the world is in Fall Japan: June 26th, Worldwide: December 18th (first half)
Tenrou: Sirius the Jaeger A P.A. Works anime about vampire hunters with music instruments (err, sure?). Japan: July '18, Worldwide: December 21st
Hi Score Girl Another J.C. Staff anime (huh, really). This one is about a boy who encounters a girl that's a genius at gaming. Twist: it's set in the early 90s. Japan: July 2018. Worldwide: 24 December
Back Street Girls: Gokudolls A J.C. Staff anime about Yakuza undergoing a sex operation to become idols (wut?). Obviously a seinen series. Japan: July 2018. Worldwide: Fall season 2018

 

Coming to Netflix in 2019

Title About Release date
Kakegurui (Season 2) Yeey, more of our favorite gambler! Japan: Fall 2018, Worldwide: Somewhere in 2019
B the Beginning (season 2) First season was so-so. But Netflix has renewed it for a second season. While originally scheduled for fall '18, that reference got removed later on. Now it's confirmed to be postponed to somewhere in 2019. Postponed to 2019
Cannon Busters Finally some more info on this LeSean Thomas project. It's been postponed to 2019. But as compensation, Boondock Saints has been added to the catalog (lol). April 1st 2019
Rilakkuma and Kaoru The only thing released this year is the teaser trailer (booh!). The actual release has been postponed to Spring 2019. Spring 2019
Ultraman An anime adaptation of the Ultraman series? Though this one is going to be based on the 2011 manga that just recently ended. Cool! Though... 3D CG series by Production I.G. has me a bit worried (they're... hit and miss). Spring 2019
Knights of the Zodiac: Saint Seiya The new CG incarnation of the classic Saint Seiya story. Also delayed until 2019. But similarly, we got The Lost Canvas in the catalog as a compensation price? Somewhere in 2019
Kengan Ashura Fresh announcement from AnimeExpo. The adaptation of this martial arts anime is slated for a 2019 release. Somewhere in 2019
Revisions Recently announced. Slated for a January 2019 release in Japan, no confirmation if worldwide or Japan first. Japan: January 2019, Worldwide: Somewhere in 2019
Seis Manos Viz recently announced they would create an original anime for Netflix, created (US side) by the people behind the Castlevania series, but no Japanese studio has been confirmed yet. Somewhere in 2019
Aggretsuko (Season 2) Anime of the spring season has a 2nd season greenlit for 2019! Yeey! Somewhere in 2019
Forest of Piano (Season 2) As originally slated Somewhere in 2019
Baki (Second half) As originally slated Somewhere in 2019
Carole & Tuesday Original anime by Studio Bones, music-based Somewhere in 2019
Yasuke A collab between Lesean Thomas and Studio Mappa? Feudal Japan with mechs and magic? Sign me the heck up! No date confirmed
Seven Deadly Sins: Prisoners of the Sky (movie) The Seven Deadly Sins movie has been confirmed to get a Netflix release. Somewhere in 2019
Altered Carbon An animated spin-off from the live action series No date confirmed. Could be 2019.
Cagaster of an Insect Cage A Gonzo anime for Netflix, based upon the manga Mushikago no Cagaster? Interesting. But full CG?... No date confirmed

Oh, and if you want to cringe... A Sword Art Online Live Action adaptation has also been sold to Netflix. So if the anime wasn't bad enough, we can now cringe at real live actors reenacting that horrible story. I know a few anitubers that will love to tear this one apart.

Afterword

Now that Fate Last Encore is out, I'll be watching that (trainwreck) and write a review about it. Considering the score it's getting on review sites, I get the feeling I'm going to need some alcohol to finish it.

Follow-ups

July 6th-17th: Done a few additions in the past few weeks, based on AnimeExpo reveals.

July 17th: Did a retooling of the to-be-aired section, to make it easier overview.

September (gen.): A few minor tweaks as some release dates get fixed (7 Deadly sins, Saiki, Fate Extra) or postponed a bit (Piano Forest, Lost Song)

November: Added new titles, got a few delay updates.

10 September 2017

V Reviews the Deah Note Netflix Movie - A rushed mess

Last week the Death Note Netflix movie was finally released to Netflix. And it was received with "mixed" responses (to say it nicely). But as I promised earlier on, I sat down and took an attempt to watch it.

I nodded approvingly (a few times), I cringed (A LOT) and I literally rolled over the floor laughing at the horribly stupid finale. That's the movie in one sentence. Let's dig a little deeper in what worked and what did NOT work in the Death Note movie.

V reviews: The Netflix Death Note movie

Casting: A mixed bag

This movie caught a lot of flack for the whitewashing of Asian roles and portraying everything in an American setting instead of Japan. I could only sigh at the ignorance of such comments. Come on people, People if you want this in an Asian setting, go watch the Japanese Death note movies. There's like six of them now.

This is an American adaptation, get over it already. Could there have been made more roles available for Asian actors? Yeah, definitely! But we got what we've got.

And what we got is poor. Let's run over this quickly:

  • Horrible casting choices: Nat Wolff as Light, Margaret Qualley as Mia and Shea Whigham as James Turner.
    Wolff is a B-grade Tobey Maguire. He looks nor acts nothing like Light from the manga/anime (safe maybe the last five minutes). Margaret looks like she would fit right in a high-school movie like Mean Girls, rather than anything related to Death Note. The most out of place character is probably Shea, who looks and acts like he has no clue in what kind of movie he's in THE ENTIRE TIME and he has no chemistry with any other character in the movie.
  • Okay casting choices: Lakeith Stanfield as L and Paul Nakauchi as Watari.
    Both are clearly good actors who are giving it the best they can. But the script often forces these two to do or say stupid shit. Don't blame the actors, blame the script.
    Also, can anybody explain to me how the only Asian actor casted ended up playing the one character that ISN'T Asian in the original story? (*facepalming*)
  • Amazing casting choice: Willem Dafoe as Ryuk. I honestly can't imagine anybody else in Hollywood as the Death God and he NAILS it! I get that the number of appearances were limited due to budget constraints; but every scene with Dafoe in it was elevated to a new height.

Pacing: Rush rush rush

The biggest flaw this movie has is that the entire feature is rushed beyond belief. The original series and manga is slowly paced, which is very fitting for a suspenseful thriller. Every chapter, every episode is paced and filled in such a way to keep you on the edge of your seat.

But in this movie everything rushes by you so fast, it's very hard to catch the minor details (apples, marbles, pictures, etc) and it makes the plot details harder to follow to those unfamiliar with the source material. It also has a consequence that things that could've been missed suddenly need to be repeated.

Honestly, this should've been a Netflix (mini-)series. This so more time could be spent on character development and the plot twists.

Image and Sound: Good and bloody awful (respectively)

The overall imagery and cinematography is one of the few things I can applaud in this movie. The overall feeling I get from watching this movie, the angles, the set pieces, etc... it's all good looking and would've made for a good movie (if the rest would've been good). There's a lot of visual clues and hints of events to come for those that spot it.

But the music? Oh my god, it's frigging awful. The overall soundtrack is bad enough as it is (it's like fit for a B or C-level movie), but the songs that are inserted in the third act are not only distracting, they literally made me roll over the floor laughing because they're so horribly chosen and don't fit the mood of the scene AT ALL.

The song used at the Ferris wheel climax is (no joke) Chicago with I don't want to live without your love. The choice is so baffling, it made me laugh non-stop for at least five minutes. The song used when Light explains his plan (The power of love from Jennifer Rush) is equally weird and distracting. And both should be moments that require your full attention. But it does the exact opposite. After the movie ended, I could only think about the stupid music and not about how the movie actually ended. That's the effect the music has on you.

The Screenplay: In need of at least two more rewrites

I need to give the movie some praise: There are hints of a good story in this script. There's a few changes to the source material that either make more sense in the modern US setting or help with Light's motivation to kill criminals.

Let me give you an example. In the manga the sole reason Light starts killing criminals in his Death Note is boredom. No, he literally says so in the first chapter and the chapter is equally named Boredom. But the change that Light is taking revenge for a failing justice system in this movie is kind of a better motivation, don't you think so?

However, for every change to the source material that is good, there's two other changes that are awful or horribly dated in 80s/90s movie cliches.

A few examples: Making Mia a cheerleader (dated cliche), removing Matsuda from the story (he's essential to the story, so why?), forcing Watari to do Light's bidding (HOW? WHY? That's impossible!), skipping out on the Lind L Tailor scene and ruining the follow-up with Light's father (WHY? The Lind L Tailor scene twist is amazing).


Killing L live on a worldwide broadcast, only to reveal it's a dupe? Brilliant!

Turning Light from a tactical mastermind into a sad duped kid

While I applaud the fact that the creators have tried to make Mia more manipulative herself (rather than be manipulated in the source material), the fact that Light is left as a sad little shell of his manga counterpart is what makes fans of the original rage on the internet. There's a reason why I keep comparing him to Tobey Maguire. He's really similar to Tobey's performance as Spider-Man in the Raimi trilogy (up to and including sad and angry faces).


Clearly the face of self-confidence and wit that Light is supposed to be...

I could only cringe at the scene where Light rushes up to Mia and says: "I have a Death Note." No really, that literally happens in the movie. He was almost begging her: "Give me attention, I have an object that may interest you!". That is 100% the complete opposite of anything Light Yagami would ever do.

What is missing from the movie

First and furmost, both famous memes are not present. The iconic scene of "I'll take a potato chip and eat it!" is nowhere to be seen, nor is the "All according to Keikaku/plan" line. But I can understand that some higher ups would be opposed to silly lines like that if they don't get the context of the source material and fandom.

But several characters have been scratched from this movie to my surprise. Yes, the absence of Light's mother is explained in the movie. But Light also has no sister in the movie (as if to emphasize that Light is a loner?).

The most surprising absence however is the character of Matsuda (or whatever they would've renamed him). Of all supporting characters, Matsuda is on one end the most sympathetic character (as the bumbling rookie cop that believes in justice), but is an essential audience point of view character. He could be the one that asks the difficult moral questions or helps avoid plot holes by asking typical "how does this work" or "how do you know that" questions.
And he would've fit right in the movie as partner to Light's father, maybe as "the only cop that sides with him", or "too young and inexperienced to judge him".

And trust me, adding a character like Matsuda would've livened up this otherwise dreary and rushed plot. Heck, due to what happens in the final episode of the anime/manga, he's technically a major character. So scratching him from the story is a missed opportunity.


Matsuda, the heart and soul of the series

Afterthought

This movie is just another wasted opportunity. And honestly, it could've been a lot better with only a handful of script rewrites. It's like they had to push this through a budgeted schedule and a lot of things ended up suffering because of it.

In the end, it's just another anime adaptation that we can put on the pile of "failed attempts". I wonder what the next one is going to be.

Rating: 5/10. It has traces of a good movie, but doesn't go further than "traces". Skip it, unless you're really interested in how they f**ked this one up.

Until next time, V out.

6 August 2017

A talk about anime, Netflix, Funimation, Sony, Aniplex and Daisuki

Wow, it's been quite a news heavy week on anime side. Usually I don't bother doing "anime news" posts, since most people know to check the ANN and CR news page from time to time. But this time around, I wanted to give a few remarks. Since there's a LOT going on which has a BIG impact on the future of how we watch anime in the future.

As usual, I first looked at this with a negative approach ("All signs of a new anime bubble!"). But after a few days of thinking this through, I realized it may not be as negative as I first thought. It's just... change. And we'll have to adapt to change, whether we like that or not.

Let's go over these news stories one by one.

Netflix announces huge anime lineup for the following year

Sources: Various, from Netflix' YT channel to various press releases on ANN, Comicbooknews and others. This week was a huge week for Netflix announcements concerning anime. Netflix had a huge press conference in Japan and announced several new series coming to Netflix in the following year and gave a few dates for expected updates. Here's the updates to already known titles:
  • Little Witch Academia (second half): August 15
  • Fate Apocrypha (season 1): November 2 (US/CAN), December 2 (rest of world)
  • Kakegurui: 2018 (no exact date)
  • Children of the Whale: Already announced earlier this month, but re-confirmed this Wednesday. The anime starts airing on Netflix Japan this coming Fall season. Rest of the world will be later.
  • Godzilla: Monster Planet: Also a re-confirmation. The animated Godzilla movie will first run in Japanese theaters in November of this year. After the theater run, it will become available on Netflix Worldwide.
  • A.I.C.O. Incarnation: A Studio Bones anime original for Netflix. It's 12 episodes and will air in Spring 2018 (worldwide?).
  • Devilman Crybaby: It's confirmed to be 10 episodes that will air in Spring 2018. If you're unfamiliar with Devilman, Netflix currently streams the series Cyborg 009 Vs Devilman. You may want to watch that if you want to have an idea of what Devilman is about.
  • Baki: I'm excited for this. I like the Baki series manga (127 volumes at this moment and still running) and has already resulted in an OVA and 2 seasons of 24 episodes back in 2001. This new anime is based on the "Baki" sub-series which ran between 1999 and 2005, and will focus on the "Most Evil Death Row Convicts" story arc, which is set after the series that have already been animated (hint). The anime will be animated by TMS Entertainment (I like their more seinen-focused direction in the last few years) and will consist of 26 episodes. The anime will air (in Japan) somewhere in 2017 (I presume in December?). No news on when it will air in the West. Somehow I hope that the other Baki series will get a Netflix release as well. May help re-vive interest in the Baki franchise.
  • Cannon Busters: LeSean Thomas' comic book already had a Shortfilm anime adaptation funded via Kickstarter (cool). An now Studio Satelight is doing a 12-episode series of it. I can only say: Awesome. No specific date yet, but let's assume somewhere in 2018.
  • Lost Song: An anime original series co-created by Liden Films (infamous for Berserk '16) & DWANGO (known for Mirai Nikki among others). The anime will air in Japan starting January '18 and will probably see a release in the West on a later date.
  • Sword Gai: The manga created by the same guy who brought the world Kamen Rider is finally getting an anime adaptation. The production had some delay (it was originally announced back in 2014), but will finally see the light of day this coming Spring 2018... Globally! Animation will be done by Studio DLE inc. (known for Akiba's Trip amonst others).
  • B: the Beginning: First announced as "Perfect Bones", but now renamed to B the Beginning (with B standing for Bones, I guess?). The story is an anime original and created by Studio I.G. And the anime will be released worldwide on Netflix in Spring 2018.
  • Knights of the Zodiac: Saint Seiya: A CG remake of the original Saint Seiya fits in with the dozens of remakes of classic anime series. It was only a matter of time Saint Seiya would be handled. However: The first season of this new series will be 12 episodes and will contain the start up to the Silver Saints Story arc... which was 35 episodes in the original. I have mixed feelings about this. I realize there's a HUGE amount of filler in the original series (not to mention slow pacing), but this reduction is just ridiculous. On animation side, this is a Toei franchise, so it's animated by Toei... in full CG. Also mixed feelings on that.
  • Rilakkuma: Kids anime about bears in Miffy / Hello Kitty style. No surprise, it's from the company behind Hello Kitty. Much ignored by news outlets due to it being a kiddy anime. But presumed release somewhere in 2018.
  • And last but not least... Violet Evergarden: Just announced yesterday in Germany's AnimagiC 2017. Kyoto Animation's new Project already had its first episode premiered at Anime Expo a few weeks ago and did the same now at AnimagiC, with a full panel explaining further details. The show will air on Netflix Japan this upcoming January, with the rest of the world following in Spring 2018.

Lots of good news. But also lots of frustrated people due to the continuous delay of releases between East and West. Kakegurui will be released only "somewhere" in 2018? It's already the most pirated anime this season, and this announced delay is NOT going to help that (*sigh*). The few "worldwide" releases in this press conference may be a sign of changes to come in the future. Let's hope for that.

Oh, and on a side-note: The Live-action Death Note Netflix movie/flop(?) will be available from August 29. That'll be fun times for movie reviewers. I'm going to tune in as well then. Wish me luck.

Financial report states Netflix is in billion-dollar deep debt

Source: L.A. Times

Next to the big fun announcements, Netflix tried to make people forget about this earlier news report. Netflix apparently has a billion dollar debt... but it's normal, according to their investors? That's about the only positive thing I can say about this, but let's just say I'm a bit worried about the continued existence of Netflix.

The L.A. Times has created a report stating that Netflix has a debt of several BILLIONS of dollars (not millions but billions). And while the initial report was wrong, it's still a big red number. The correction?: L.A. Times originally stated the debt was 15.7 billion, while Netflix corrected that to 4.8. Okay, that's less than 10% of initially stated, so a correction was necessary. But 4.8 billion dollar is still a huge debt!

And yes, everybody invested in Netflix finds this apparently pretty normal since Netflix has always worked with debts in order to finance their business. And the financial "game plan" that Netflix has layed-out to its investors has them content with their plans for the future.

I'm no financial expert, so I personally can't say if this is a normal way of working for a streaming service or TV-station. And their financial plan may indeed succeed and bring them many years of success (god, I hope so). But I'm worried, because constant debts aren't healthy for any company. And I'm honestly not alone in this way of thinking. Industry experts are already warning for a "Netflix Bubble". Let's cross fingers and hope this isn't going to be a repeat of the anime bubble from a decade ago...

Funimation is bought by Sony Pictures

Source: Variety

The big surprise early this week was the bomb that Funimation has been bought by Sony Pictures Television Networks (that IS the full name of the TV-series sub branch of Sony) for the sum of $143 million. And yes, while it had been reported earlier this year that "multiple partners" were looking to purchase Funimation, it still feels like a surprise to anime fans in general.

And this should be good news, right? While Funimation is thé standard for licensing and dubbing anime in the US for the past two decades, it's still a relatively small player in the TV and movie business overall (don't forget, anime IS still considered a niche product in the entirety of entertainment). So having a big company like Sony behind its shoulders, should put them in a real solid foundation, and may push anime towards mainstream acceptation, right?

Yes, in theory. But it's having many people worry about the future of anime in America, not to mention the deal with Crunchyroll to share their streaming libraries. Sony Pictures isn't exactly been known for their "great business decisions" in the past few years (putting it nicely here).

There's also the fear that Funimation may close its streaming service all together to have everything move to Sony's online service "Crackle". And if you've never heard of that, neither did I until this week. That's how well known this service is in the world of streaming.

And while I think the dubbing division of Funi is in no risk of any change (in fact, Sony may take use of it), the current distribution partnerships (both of movie releases as physical releases) may have to merge with whatever Sony currently has.

Another good thing is that Funimation will have a hold of all Sony anime movies (like the Cowboy Bebop movie, Satoshi Kon's movies and others). Bad thing is that Funi may have to focus their dubbing efforts in Sony/Aniplex projects (read as: anything A1 Pictures spits out, whether it's "good" or horribly bad) and less on other projects.

But a lot of these questions are still up in the air. ANN's Answerman has tried to answer some questions. But for other effects, we'll have to see what announcements are going to be made in the coming weeks/months.

Although, while talking about Aniplex projects...

Daisuki officially ends on October 31

Source: Daisuki itself

One of the bigger Streaming Services of legal anime is Daisuki. I have been praising the service as one of the alternative streaming services. This service was part of Bandai-Namco and held most of its titles (availability depended on licenses).

And yes, It has quite a few anime series on its site, like Eromanga Sensei, a LOT of Gundam series including Iron-Blooded Orphans, Tales of Zesteria the X, One Punch Man and several others. Yes, even here in Belgium.

But people were aware that things had "slowed down" on the site recently. Several of its licenses were either ending or became available on other streaming sites (like the Gundam series becoming available on Crunchyroll) and no real new titles were added this summer season (that I'm aware of). They were also absent from recent anime conventions where they usually took part in.

So Tuesday came the announcement that the streaming service is officially ending at the end of October and in December everything that was connected to Daisuki will be removed from the internet.

Has this something to do with the Funimation deal? Yes, definitely! Aniplex (subsidiary of Sony) is one of the five studios who was partnered with Daisuki and had 13.4% of its shares. So yes, there IS a connection between the two cases.

Is this bad or good? THAT all depends on what the four other anime studios backing Daisuki are going to do. Aniplex obviously is going to use Funimation and/or Sony's streaming services for their anime. But are they going to "involve" the other animation studios behind Daisuki as well into their new plans (like Toei and TMS), or did Aniplex bail this "team-up" all together? The coming months will probably provide us with more answers.

Afterthoughts

There have been some questions about the financial gains of streaming sites in general, not to mention anime streaming sites (which, once again, is a niche). But all these news messages in this post are a sign that the anime industry is changing in general. If anything, I think this may push anime into actual mainstream and out of its niche.

I'll be following the anime industry related news more closely now. And it's bound to follow.

Until next time, V out.